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The Classic: Literary Images of Permanence and Change, by Frank Kermode
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Attempts to determine the criteria for classical literature through an analysis of the social and intellectual importance of great works of the past.
- Sales Rank: #2345789 in Books
- Brand: Brand: Harvard University Press
- Published on: 1983-01-01
- Released on: 1983-01-31
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .36" w x 5.50" l, .41 pounds
- Binding: Paperback
- 142 pages
- Used Book in Good Condition
Review
Kermode is one of the rare critics and scholars it is in any case uncommon to he both who offer a new and unusual insight on whatever author or topic they turn to. (New Statesman)
Kermodehas one of the finest minds in contemporary criticism, and there is nothing that he touches that he does not in some unexpected way to use some of his own termstranslate, renovate, eternalize. (Commonweals)
Taking as his central concept 'the classic,' the literary work we speak of as enduring, Kermode asks how a text can retain its identity as its time-hound readers change . . . The Classic is an enormously suggestive book . elegant and accessible. (Yale Review)
The subtitle ... modestly describes the tensions that generate the remarkable energy of this highly original study. The old conception of classic, Kermode argues, is tied to Virgilian attitudes of empire and eternity; the modern use of the term embraces change, plurality and secularization. The Classic brilliantly mediates between the two views of literature and culture . . . This closely argued and clearly articulated essay . .rests on formidable learning. (The New Republic)
About the Author
Frank Kermode is Julian Clarence Levi Professor of English Literature, Columbia University, and a Fellow of King's College, Cambridge.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Dealer Did the Job Well. The Publisher …
By C. C. Black
Book received just described and promised. No quarrel there. Harvard University Press put the thing together on the cheap. In one reading, the pages came unglued. After a time, so did the reader.
6 of 9 people found the following review helpful.
The Mathew Arnold's conception is wiser and more comprehensive
By Shalom Freedman
The conception of the 'classic' which stands at the center of this work is Vergilian.Kermode writes, "Vergil as the classic of empire and the type of all classics" He then goes on to read this Vergilian idea as it goes through transformations in Western culture. Centering on the question of 'permanence and change' he comes to a definitiion of the modern classic which introduces concepts of plurality , secularization, and change.
I found this work extremely difficult to read. I also found it did not really deal in a way I would have liked to have seen with literary matters and texts, though its concluding example is an analysis of 'Wuthering Heights'.
I much prefer Arnold's way of thinking about ' the best that has been thought and said'. And his relating it to ' classic works' which surely precede those of Vergil, what Arnold calls the Hellenic and Hebraic.
As for the question of what makes a work one which all subsequent generations wish to read and reread, I believe this touches upon a question Kermode does not raise, i.e. What constitutes true literary greatness?'
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